In the world of social psychology, there is a concept known as the “threshold of tolerance.” It’s the invisible line that a society draws around its collective behavior. Cross it in one direction, and you are a hero; cross it in the other, and you are a pariah. Recently, a
Ageism and misogyny do not announce themselves as villains. They arrive smiling, joking, framed as banter. This week, we saw two such incidents, one in a victorious Olympic locker room.....
Green TV is airing a local version of Superstore sponsored by Imtiaz – is it any good? “Fasaana Mart Ka” is well-intentioned, occasionally touching but still fundamentally dull. The Ramazan.....
Bollywood war biopic Ikkis opened to positive reviews in January but quickly found itself at the centre of controversy, not for its storytelling, but for a mid-credit disclaimer added at.....
Elaichi, Loung aur Saunf is a short film on Meem Kahani about bad breath, conformity and the marriage market. Nuzhat (Sana Askari) is a woman undone by a single, mortifying.....
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There are protest songs, there are vanity tracks, and then there is whatever Ali Gul Pir has just dropped: a swaggering, bass-heavy....
Hadiqa Kiani, one of Pakistan’s most celebrated singers, has once again left a lasting impact with her latest release, Paisa Bolta Hai....
Artist and Singer, Asia Chord is known for his famous covers of Asian songs from pop to movies. Recently, he sang a....
Bullets, blood, and gun-toting brides—singer-songwriter Azaan Sami Khan’s curated “soft boi” image gets a major shock to the system as the visuals for his latest ballad ‘Tera Ho Gaya’ swerve away from the expected and lurch into the cinematic unknown. In a total subversion of expectations, Azaan takes on the
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