John Waters, the renowned filmmaker celebrated for transgressive cult classics like Pink Flamingos and Hairspray, has unveiled his top ten films of 2024 in Vulture.
Known for his taste in “feel-bad, risk-taking, ratings-defying art flicks,” Waters’s shines a spotlight on indie films that push boundaries, explore taboo subjects, and are audiences “who still demand to be startled: These selections reflect his passion for bold, unflinching storytelling—cinema that provokes, challenges, and stays with you long after the credits roll.
Here are his picks:
Love Lies Bleeding by Rose Glass
A visceral romantic thriller, Waters describes this film as the year’s finest: “A feminist lens infused with intellectual grit and a touch of steroid-fueled intensity.” Starring Kristen Stewart and Dave Franco, the movie combines action, drama, sex, suspense, and magical realism. Dubbed “Thelma and Louise for the next generation,” it is both explicit and graphically violent.
Queer by Luca Guadagnino
Featuring Daniel Craig in a daring portrayal of William Burroughs’s alter ego, Queer is deeply stirring and polarizing. Divided into three chapters, the film examines longing, rejection, and the alienation of queerness. Waters praises Craig’s performance as “absolutely brilliant,” noting a particularly provocative scene reminiscent of radical queer cinema.
The Brutalist by Brady Corbet
It took seven years to make this “cold-as-concrete” film that chronicles the journey of Jewish architect László Tóth as he emigrates to the United States. With powerful performances by Adrien Brody and Guy Pearce, The Brutalist delves into the cruelty of architecture and the torment of being ahead of one’s time. Visually striking and a strong Oscar contender, Waters jokes about its 3.5-hour runtime, calling the intermission its only excess (though not all critics agree).
Hard Truths by Mike Leigh
A “horribly sad and sometimes hilariously funny” drama about a Black British family, this film explores the life of a profoundly unpleasant woman.”She’s a rotten mother and a terrible wife, and everyone around her is racked with pain.” Her toxic relationships and unapologetically bitter personality evoke both empathy and morbid fascination. Our favourite line: “People, I can’t stand ‘em!” Poignant and darkly humorous, it’s an unforgettable exploration of human flaws.
Messy by Alexi Wasser
Source: Simone Films
This sharp indie gem, a modern take on relationship chaos, marks Alexi Wasser’s directorial debut. She also wrote and stars in the film, which echoes the wit of classic Woody Allen comedies but with contemporary themes. Its raw, unapologetic narrative about love and sex addiction is both refreshing and provocative. Waters’s favorite line: “Just because it’s not in the form of a boyfriend, it doesn’t mean that you are not loved.”
Joker: Folie à Deux by Todd Phillips
Waters describes this sequel as a love story he can relate to, praising its insanity, direction, Lady Gaga’s performance, and over-the-top musical numbers. The film culminates in a jaw-dropping finale and boldly defies expectations. The only main stream on his list but certainly unique in it portrayal of a character that we all thought we knew.
Emilia Pérez by Jacques Audiard
This “wildly original musical-drama” dives into the Mexican drug syndicate, featuring a trans cartel boss hiding in plain sight. Selena Gomez delivers an unexpected performance in this genre-blending masterpiece. Waters hails it as a standout, with Guillermo del Toro calling Audiard “one of the most amazing filmmakers alive today.”
Babygirl by Halina Reijn
Nicole Kidman delivers a fearless performance as a high-powered business executive entangled in a provocative dominant-submissive relationship with a young intern. In this audacious tale of power dynamics and corporate intrigue, Kidman howls, moans, and fully embraces her role. Waters salutes her bold risks, while critics label it “an assault on good taste.”
Viet and Nam by Truong Minh Quy
An “eerie, surprising drama,” this film tells the unconventional story of two young coal miners navigating love and survival. Their connection culminates in a poignant escape as immigrants in a doomed floating container. Bold and unforgettable, it’s a beautifully haunting cinematic experience.
Waters’s selections highlight a diverse array of films that push boundaries and challenge audiences, reflecting his enduring commitment to celebrating provocative and innovative cinema.
